Vol. 1 / Issue 1
Une revue littéraire et culturelle bilingue
Vol. 2 / Issue 2
Books We Love & Think You Might Too
Both absurd and melancholy, Honey in the Carcase, the newest collection from award-winning Josip Novakovich, moves from scenes as familiar as a dinner party to the brutal landscapes of war-torn Southeast Europe. A man tends bees amid the bombed-out husks of his village. A young girl takes revenge for the loss of a precious life. A Yugoslav drifter finds himself at dead ends in the American heartland. A marriage splinters over a suspicious scent. A cat and a dog enact ancient enmity in the midst of a warzone. An old debt is repaid. And a boy and a juvenile hawk seem to be on a similar quest for freedom and adventure, though violence lurks in the wilds just beyond the window.
Novakovich, hailed as “one of the best short-story writers of the decade” (Kirkus Reviews), approaches each story with the signature insight, wit, and compassion that have brought him distinction as winner of the American Book Award and Whiting Writer’s Award, and a finalist for the Man Booker International Prize.
Beowulf Sheehan is considered to be his generation's foremost literary portrait photographer, having made portraits of the literary luminaries of our time across the globe, from Roxane Gay to Masha Gessen, Patti Smith to Zadie Smith, Karl Ove Knausgaard to J.K. Rowling, and Jonathan Franzen to Toni Morrison.
In Author Sheehan presents the most insightful, intimate, and revealing portraits of these artists made in his studio, in their homes, in shopping malls and concert halls, on rooftops and in parking lots, on the beach and among trees, surrounded by flowers and in clock towers. Following an enlightening foreword by Salman Rushdie, Beowulf Sheehan shares an essay offering insights in the poignant and memorable moments he experienced while making these portraits.
Many readers still claim this haunting, atmospheric novel of Michael Ondaatje's as their first love—a novel as sensual and erotic today as ever it was. At the turn of the century, the Storyville district of New Orleans had some 2000 prostitutes, 70 professional gamblers, and 30 piano players. But it had only one man who played the cornet like Buddy Bolden—he who cut hair by day at N. Joseph's Shaving Parlor, and at night played jazz, unleashing an unforgettable wildness and passion in crowded rooms. Self-destructively in love with two women, he embodied all the dire claims that music places on its acolytes. At the age of 31, Buddy Bolden went mad. From these sparse facts, Michael Ondaatje has created a story as beautiful and chilling as a New Orleans funeral procession, where even the mourners dance.
Emotionally charged with an exceptional poetic gift, Sylvia Plath was a woman shadowed by a dark and very private pain that could only be released through death. Her suicide would harrow and haunt three people: her husband, the poet Ted Hughes, freed by her demise and then imprisoned by her myth; Assia Gutmann Wevill, Plath’s rival and Hughes’s mistress, who kills herself only six years after Plath; and Robert Anderson, a young New York writer who reveals that Plath’s poems and her suicide “forged my identity and, incidentally, ruined my life.” Their lives intersect, transiently and directly, through some of the more dramatic social upheavals of the past decades.
Crackling with wit and verbal dexterity, Little Fugue is a stunning novel of artists caught between the erotic allure of extinction and the eternal power of poetry.
A journey through the oeuvre of photographer Stephan Vanfleteren, with expansive personal reflections and stories from three decades of encounters and photography. From street photography in world cities like New York to the genocide of Ruanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits. The iconic images sit side by side with unknown treasures in this heavy tome containing no less than 505 photographs.
Fleeing communist Budapest by air balloon, a wrestler tries to reinvent himself in Canada. On a formal invitation from the Party's General Secretary, a Belgian bureaucrat “defects” to communist Hungary, chasing the dream of a better world. Meanwhile, a provocateur filmmaker drinks and blasts his way to a final, celluloid confrontation with fascism, while an enfant terrible philosopher works on his prophetic, posthumously panned masterpiece, Dyschrony. These are among the decadent and absurd characters who hover around the promise and failure of utopia across the pages of Ghost Geographies.
A polyphonic descendant of Kadare, Bolaño, and Sebald, Tamas Dobozy masterfully traces and thwarts the porous borders between fact, fiction, ideology, history, and humor. The stories that make up Ghost Geographies simply confirm that, in the words of the Washington Post, Tamas Dobozy's “approaches to telling stories, and his commitment not only to provoke thought but to entertain, constitute a virtuoso performance.”
Sixteen-year old Kati Kellner met nineteen-year-old Willi Salcer in April of 1944 after they had been forced into the same ghetto. They were together for one week before Willi was taken.
437,402 Jews from Hungary and the annexed portion of Czechoslovakia were transported to Auschwitz between 15 May 1944 and 10 July 1944. 400,000 were gassed upon arrival and the rest sent into slave labor. Less than five percent of those sent into labor are said to have returned. Kati Kellner was one of those people.
Approximately 15,000 men survived Mauthausen, the most notorious of the camps. Of these, it is estimated that the number of Jewish survivors was not more than 1,500. Willi Salcer was among these Jews.
After the War, Kati went looking for Willi.
She found him.
No Past Tense is taught in college courses on the Holocaust and Jewish Literature, and is on the shelves of over 500 university libraries.
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Queer Portraits 2006-2015 by JJ Levine is a large photography monograph depicting one hundred portraits of Levine’s friends and family in Montreal over the past nine years. Each studio-lit portrait is shot on medium or large format film, and taken in a different domestic setting, characterized by saturated colours and discursive backgrounds. This monograph includes four critical texts, by Erin Silver, Greg Ellermann, Johnny Forever Nawracaj, and Jackson Davidow.