The "father of Quebec engraving" yes. Undoubtably. His mark in the field of printmaking, secure and, of course, well deserved. But for me, in discovering Dumouchel, it is his art, for itself.  His mastery and fluidity in moving from one era to the next. From one form to the next. As he himself said, "I'm not a revolutionary, I'm an evolutionary." And we can see this, as he moved through the different time periods of his work, that, in so many ways, reflect the different time periods of society in Quebec. His early love of nature, with works such as "Fleur", to his religious offering, to his sexualized work, and back to depicting nature. His figurative work. His abstracts. All forms. All mediums. In all of this, Dumouchel came to it with a high degree of creativity in his expressions. The lines of his work, and the spaces he left for us. The light. The meaning. A storyteller teaching us the grammer of silence. He is—his work is, to be remembered.